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p.3 – p.177 Visual Communication and The Reader at The Royal College of Art invites you to p.3 - p.177 Tenderbooks, 6 Cecil Court, London, WC2N 4HE Exhibition: 4 -... Typographic Singularity As a testimony to typographic experimentation, Typographic Singularity interrogates creation through time and process—an exploration of a captured moment in time looking toward the fu... Typographic Singularity The School of Communication is excited to announce an exhibition of typography by current students and staff from the Visual Communication Programme at the Royal ... Observations Observations was a reading and writing group, run with first and second year students from the MA in Visual Communication at the Royal College of ... My IKEA catalogue Lithographic print. Paper cover. Perfectly bound. Is it a phone-book? A doorstop? Just a freebie? It’s my IKEA catalogue. A treasure trove. A promise. A ... I am bad at writing, so I draw Untitled soft thoughts, charcoal, pencil and graphite on paper, A4, 2019 I am bad at writing Because English didn’t used to be my first language. Be... SHOW YOUR ID 04 ~ The Gardener, Cathy Johns To some the garden might be an accessory to the house, a decoration, or a source of herbs. But ask a gardener and they will ... The Bright Labyrinth Transmissions The aim behind The Bright Labyrinth is to explore the unseen influences acting upon communication practice. Through a wide-ranging series of lectures, discussions and guest i... Distributed In April 2018, David Blamey (Open Editions) and Joshua Trees (Books From The Future) organised Distributed, a publishing symposium about the act of distribution across the ... Striptease and Bunny Tales There is seeing and then there is looking. I like to think of the difference between the two as a quick readjust of the lens ...